The Society of Dance History Scholars’ Special Topics Conference, Contemporary Ballet: Exchanges, Connections, and Directions, gathered an international cohort of scholars, artists, and educators in New York City on May 20-21, 2016. Curators Jill Nunes Jensen of Loyola Marymount University in Los Angeles and Kathrina Farrugia-Kriel of the Royal Academy of Dance in London initially collaborated on the 2015 issue of Conversations across the Field of Dance Studies: Network of Pointes. From that endeavor, they worked with artistic advisor Lynn Garafola to stage the conference. With over fifty presenters, conference attendees engaged in a vibrant discourse on ballet structure, technique(s), and form; race; gender; and, sustainability at New York University’s Center for Ballet and the Arts and Barnard College, Columbia University. As inquiries on defining contemporary ballet launched, scholars referenced Thomas F. DeFrantz, on the “assumption that dance is a unified thing.” How can the field define its work from within, when the process is an ever-producing labyrinth of possibilities and experiences? Continue reading, here.